Saturday, 23 April 2011

Bintang bola sepak Hong Kong terjun tingkat 36

HONG KONG: Seorang bintang bola sepak Hong Kong yang ternama membunuh diri dengan terjun bangunan pangsapuri selepas bertengkar dengan isterinya, semalam.
Cheung Sai-ho, 35, dinobat sebagai pemain paling berharga Hong Kong pada 2003 dan pemegang rekod dunia - membuat jaringan untuk pasukan belia Hong Kong kira-kira 2.8 saat selepas perlawanan bermula dalam pertandingan Piala Portsmouth di Britain pada 1993. Pemain tengah berbakat yang bersara daripada bidang sukan pada 2008 itu terjun dari tingkap tingkat 36 pangsapuri kediamannya selepas bertengkar dengan isterinya, kata polis sebagaimana dipetik daripada akhbar South China Morning Post. Dia disahkan meninggal dunia di tempat kejadian.

- AFP

Lindsay dijel 120 hari


E-mel Artikel Cetak Artikel Tanda Artikel Besarkan Saiz Teks Kecilkan Saiz Teks Komen Artikel
LINDSAY hadir di Mahkamah Tinggi  Los Angeles, semalam.
LINDSAY hadir di Mahkamah Tinggi Los Angeles, semalam.
LOS ANGELES: Hakim menjatuhkan hukuman penjara 120 hari ke atas bintang bermasalah Lindsay Lohan, semalam kerana melanggar tempoh pengawasan. Dia juga diperintahkan menjalani kerja khidmat masyarakat di rumah mayat dan pusat wanita di bandar raya ini.
Hakim Mahkamah Tinggi Los Angeles, Stephanie Sautner memberitahu aktres berusia 24 tahun itu melanggar tempoh pengawasan atas kesalahan penyalahgunaan dadah dan memandu dalam keadaan mabuk pada 2007 apabila dia mencuri rantai berharga AS2,500 (RM7,500) dari sebuah kedai barang kemas di Venice Beach, Los Angeles. Stephanie berkata, Lindsay yang memulangkan kembali rantai itu hanya selepas polis menunjukkan waran geledah, sepatutnya memulangkannya segera selepas menyedari dia membawanya keluar dari kedai itu. Peguam Lindsay, Shawn Holley mengemukakan rayuan terhadap hukuman berkenaan termasuk 480 jam tugas khidmat masyarakat sejurus sebelum mahkamah ditutup, semalam. Lindsay dibebaskan kira-kira jam 9.21 malam waktu tempatan selepas membayar ikat jamin AS$75,000 (RM225,000).

Sebelum itu, Lindsay berjaya mendapat tolak ansur Stephanie apabila hakim terbabit meringankan dakwaan feloni tuduhan mencuri dihadapinya kepada kesalahan kecil. Tindakan itu mengurangkan tempoh hukuman penjara yang bakal dihadapi aktres terbabit sekiranya didapati bersalah. Sebutan untuk dakwaan mencuri dihadapi Lindsay ditetapkan 11 Mei depan dan perbicaraan pula dijadualkan bermula pada 3 Jun. Sementara itu, pendakwaraya Danette Meyers mengecam keputusan Stephanie kerana bakal mengurangkan tempoh hukuman penjara daripada tiga tahun atas dakwaan mencuri dihadapi Lindsay kepada setahun atau berkurangan sekiranya dia didapati bersalah.

Menurutnya, Lindsay patut tinggal di penjara lebih lama. “Dia berterusan melanggar undang-undang. Dia tidak serius mengambil iktibar terhadap apa yang berlaku,” katanya. - AFP

Is there A God?


Salvation 101

Chapter 1.

Is There A God?


(Illustration, masterpieces of art on a museum wall)


A Quiz (no one said there'd be a quiz!)



1.


Suppose one day you get all crazy and go to an art museum. What is easier to believe...


1. That all those paintings came from an explosion at a paint factory?


Or


2. That each one was planned, and thought out, and painted by a Master Artist?



2.


Cairn Bears


Or suppose one day you are walking through the woods and you see this...



(photo: a rock cairn, a deliberate pile of rocks)


What would you think?


“Somebody made that!”


Why would you think that? Because rocks just don’t stack themselves up like that all by themselves.

Can you picture a couple of squirrels looking around for just the right rock, dragging each one over, and stacking them up like that? I don’t think so.

A deer couldn’t do it - no opposable thumbs.

Or some bear came along and thought, “Hmm, I think I’ll make a stack of rocks today so other bears will know I have been here!”

Right!

No, it’s obvious that stack of rocks didn't just happen. Some intelligent being - someone like you - made it, and made it for a reason.

It's obvious because whenever you see anything put together in a special way, and for some reason (when you see something put together with order and purpose), you just know someone did it.

Well, like someone like you did it on purpose!


So if that’s true for just a stack of rocks, then what do you think when you see something like this...




(photo: a magnificent butterfly (if I do say so myself.... I took the photo!))



That's way more complicated than a stack of rocks!


Don't you think the same thing?


"Something that beautiful couldn't just happen!"



So...

BANG!




Some scientists say that the world began with an explosion billions of years ago (a really bigexplosion!). And that's all. God didn't plan it. It was all just a big accident.

I have never seen an explosion make anything but a big mess. But the world isn’t a mess. The world is an amazing place. It is just filled with awesome wonder and beauty - well, like someone thought it out, planned it, and made it on purpose (just like those paintings in an art gallery).

So what is easier to believe, that something as beautiful as a butterfly came from a giant explosion billions of years ago, and it's just an accident?


Or that someone made it?


?



Is there a God?


Just look all around you, and every wonderful, beautiful thing you see says -



DUH!


Of course there is!




(BTW a stack of rocks like that one is called a cairn. In many parts of the world, people set them up to mark the way through the wild places. I think the cool thing about a cairns is, when you see one you know someone like you has been there too. It kind of makes you feel good somehow, like you're not alone. So everything in the world is like God is saying, "I am here too!")










Dusun language in Sabah


Official dialect

Under the efforts of the Kadazandusun Cultural Association Sabah, the standardizedKadazandusun language is of the Bundu-liwan dialect spoken in Bundu and Liwan. Dusun Bundu-liwan's selection was based on it being the most mutually intelligible, when conversing with other Dusun or Kadazan dialects. [1]

[edit]Alphabet

The Dusun-Kadazan language is written using the Latin Alphabet and it has 22 characters:
A B D E G H I J K L M N O P R S T U V W Y Z
These characters together are called Pimato

[edit]Structure

The Dusun phrase structure follow a different pattern since the normal English S – V – O structure is non-existent in the Dusun construction. A typical Dusun sentence follows the V – S – O structure.

[edit]Examples

[edit]Genesis 1:1-3

Ontok di timpuun ih, tuminimpuun o Kinorohingan do minomonsoi do libabou om pomogunan. Orolot iti pomogunan om ingaa suang, om pointuong nokulumutan di rahat topuhod. Mintulud sunduan do Kinorohingan do hiri id soibau di waig. Om pomoros nodi o Kinorohingan do, "Nawau no" ka. Om haro nodi o tanawau. Om asanangan tomod o Kinorohingan do nokokitoh diri. Potongkiado no do Kinoingan ih tanawau do mantad hiri id totuong. Om pungaranai nodi do Kinorohingan do "dangadau" it anawau, om iri otuong nopo nga pinungaranan dau do "dongotuong". Haro di sosodopon, sinusuhut minsusuab - iri no o tadau kumoiso.

[edit]Translation

In the beginning God created heaven and earth. The earth was formless and empty, and darkness covered the deep water. The spirit of God was hovering over the water. Then God said, "Let there be light!" So there was light. God saw the light was good. So God separated the light from the darkness. God named the light "day", and the darkness he named "night". There was evening, then morning, the first day.
Numbers
EnglishDusun
oneiso
twoduo
threetolu
fourapat
fivelimo
sixonom
seventuru
eightwalu
ninesiam
tenhopod
elevenhopod om iso

Dusun people in sabah

This article is about the Dusun people.
Dusun is the collective name of a tribe or ethnic and linguistic group in the Malaysian state ofSabah of North Borneo. Due to similarities in culture and language with the Kadazan ethnic group, a new unified term called "Kadazan-Dusun" was created. Collectively, they form the largest ethnic group in Sabah. A small minority of Dusuns can also be found in Brunei where they are defined by the constitution to be one of the seven Bumiputera groups.

Etymology

For the majority of Dusuns, the word Dusun just means as it is i.e. Dusun people, without any references and implied meaning to any other words, be it from the Dusun language itself or any other languages. Coincidentally, Dusun is the Malay word that means "orchard" and is derived from "Orang Dusun" or "men of the orchards" as their houses are surrounded with fruit trees. A popular misconception is that the Dusun people named themselves (or were named) according to the Malay definition of the word Dusun. In actuality, even before the Malay language or British colonists had arrived in Sabah, the Dusun had long since called themselves by the name 'Dusun'.

[edit]Introduction

The ethnic group, makes up, at one time, 30% of Sabah population and are broken down into more than 30 sub-ethnic, or dialectical groups, or tribes each speaking a slightly different dialect of the Dusunic family language. They are mostly mutually understandable.
The Dusun traded with the coastal people by bringing their agricultural produce to exchange for salt, salted fish, and other products. The name 'Dusun' was popularized by the British colonial masters who borrowed the term from the Brunei Malays.
Most Dusuns have converted to mainstream religions such as Christian and Islam although animism is still being practiced by a small group of Dusun. The vast majority of Dusuns live in the hills and upland valleys and have a reputation for peacefulness, hospitality, hard work, frugality, drinking, and are averse to violence. Now they have very much been modernised and absorbed into the larger framework of the Malaysian society, taking up various occupations as government servants, and employees in the private sector, as well as becoming business owners. Many have achieved tertiary education both locally and overseas (in America, England, Australia and New Zealand).
In their old traditional setting they use various methods of fishing, including using the juice of the roots of a plant they call "tuba" to poison fish in rivers.
Dusuns are known as the Latin artists of the East, being famous in the state for love and passion for music. Their traditional dances appear attractive and gentle full of passion for life, making the Dusun culture a popular and beautiful one, and much sought by tourists to Sabah.
Even though Dusuns are known for their peaceful nature, they are also well known for their bravery and defiant nature towards oppression and foreign rule. Warriors in the Marudu district (the most fearsome being Kulindod), and in Tuaran fought off attacks of enemies—Irranuns in Marudu, and Bruneians and Irranuns in Tuaran.(wikipedia) vlienews..


MATLAN KIDZ AND HIS ABAH. A EXTRAORDINARY JOURNEY FROM KUDAT TO KK

Extraordinary things sometimes happen in quiet places. In Kudat, at the Northern tip of Borneo Island, a boy called Raimon used to walk an hour-and-a-half from his kampung Onduon to his school in Sebayan. At school, among other things, he played a melodion and recorder in music club, until school teacher Cikgu Shariff Kassim decided that 10-year-old Raimon bin Sukudat could learn to play a bass guitar, and become the first member of the virtuosic rock band KIDZ.
This is an interview with Raimon [aka Matlan Kidz] and his Abah, Cikgu Shariff. My thanks to Moses de Silva for translating throughout the session.

Raimon and his Abah. Photo by Joanna Funk

Cikgu (Teacher) Shariff was exposed to music at a very young age, and he was a performing musician throughout the region before becoming a teacher. In that role, he formed many music clubs and bands, and came across a lot of children playing music.
“I noticed that young people were playing music without any purpose: kids playing at bus stops, at the side of the road, underneath their houses.”
This spurred Cikgu Shariff to form a band of children, and teach them music using his own approach. “Each child is unique, comes from a different background, and will learn in a different way. Also, from my experience, every performance in front of a crowd is also different, and therefore the idea of learning music is a far more dynamic concept than merely learning from using music theory.”
He added, “If you look at children in a group, when someone plays music, there are always some kids who will follow. They pick up an instrument and start to copy. So it’s quite obvious which ones have real potential.”
Raimon wanted to go and live in Cikgu Shariff’s home to learn music to the maximum extent. At first his parents were against this, because they [and the community in general] were suspicious of Cikgu Shariff’s motives. But Raimon was determined to go, and eventually Cikgu Shariff adopted Raimon legally, as he did all the members of KIDZ.
The original members of Kidz were: Matlan (Raimon) – guitar, Mogs – keyboard, Lee – drums, Awin – bass, Black – 1st vocalist,  Farid – 2nd vocalist. Ateq and Ameng join KIDZ in 2004.
From this point, Cikgu Shariff became their Abah: their father and their mentor.

KIDZ at Warner Music studios in KL. Photo from Matlan Kidz

Apart from playing music, KIDZ children attended school, did their homework, and participated in all the household chores. Raimon said life in the KIDZ family was like this:
  • 7.30am until 12.30pm, go to school.

  • Return to Cikgu Shariff’s home in Sebayan and help prepare the meals for the family.

  • From 2 o’clock, either practise music or do homework, or vice versa, until 6pm.

  • Rest.

  • Later help with housework before going to sleep.

  • Raimon said music practise was intense. Raimon started out as the bass player but later became lead guitarist.
    “Abah told us what to learn. Every day we had to learn minimum three new songs. If can, five. When practising, everybody would be looking at Abah’s face, trying to guess, ‘How is it?  Is he happy or not?’ He would be sitting in the middle, while all of us practise. At that time, I didn’t know what I was doing, I just do it!
    “I don’t really know how to describe how my Abah taught us, but we learned by ear, and I can say it was like military style!” he added.
    Cikgu Shariff said teaching from books is very limiting. In Malaysia, music theory is taught in textbooks similar to Grade I, II etc. He said he used these books on KIDZ, but felt it was not enough.
    “The scope is too narrow: it doesn’t cover the information you hear, or the dynamic processes going on in your mind, because you are continuously receiving and interpreting musical data.”
    So with KIDZ, Cikgu Shariff experimented with his method. “I taught them without theory, and without much structure [spontaneously],  to give them the chance to rely on their minds and their ears.”
    “So, if they are backing up a singer, once they hear the singer they automatically know what style it is, what key the song is in and can anticipate what chords to play. It is a whole, larger picture, and automatic for the whole band,” he said.
    Moses said the skills of the KIDZ band members go way beyond normal musicians. “The rhythms they handle and the music genres they know is so wide. You know, they played songs by ‘Dream Theater’, songs that we had difficulty playing, even when we were studying at UMS.”
    Cikgu Shariff said, “Certain children have what I call a larger musical IQ. Their minds can cope with a lot and you can get more out of them. For instance, when you teach somebody the concept of music notes, if you teach with theory only, it’s like you are asking them to play inside a box.  With the KIDZ, I teach them by helping them understand what is going on inside the music, along with the theory, and most importantly, with musical feeling.”
    When Raimon was in just Primary 6, KIDZ were already performing all over Kudat: Kota Belud, Kota Marudu, Tuaran, playing weddings and other functions.
    Raimon said, “From Form 1 until I completed his university degree, RTM Sabah was always calling us to play, as session musicians.”
    Moses de Silva, who is the Kombo Leader for Kombo RTM Sabah, concurred. “KIDZ are considered the Number 1 sessionists for RTM! Their record from five or six years ago still holds – they played 72 songs a day!
    “There is this story, about one time when Raimon was practising. This is when his guitar was still taller than he was! Ronald James came up to him and actually grabbed his hand to look at it, and said, ‘Wah, how can such small fingers go that fast, ah?’”

    KIDZ at Hard Rock Cafe, KL. Photo from Matlan Kidz

    “In Form 3, we went to KL, because we planned to do a recording with Rafflesia,” Raimon recalled.  “During one of the practice sessions for the album recording, the boss from Warner Music – I can’t remember if it was Tony Fernandes or Rudy Ramawy -  came to watch because they had heard about this band of kids from Sabah. Next thing we knew, Warner Music put KIDZ under their label, and my Abah and Rafflesia were like the management team.”
    Warner produced the album. “We had planned to do a thrash metal album, but Warner Music didn’t like it. They wanted to do some commercial pop music, so we just followed them,” Raimon said. He didn’t really like the album. They had one hit from it, ‘Demi Cinta’,  which was written by Ajai, and most people will know KIDZ from that song.  Songwriters on the album were Ajai, M. Nasir, Anuar Razak, Marlin, and Cikgu Shariff.
    Recording began in 2000 and the album was released in 2002. Warner Music wanted KIDZ to stay in KL, since it would be easier to record more albums and maintain their popularity. But their Abah was against it, being more concerned about the children’s studies and connection to their real families. So they returned to Kudat.
    Then KIDZ played the Hard Rock Cafe in KL. Matlan was 16 and Ateq was just in Form 1. The German heavy metal band Scorpion launched their ‘Acoustica’ album at the Hard Rock Cafe, and KIDZ were billed to perform after them. The A&R rep was late, and when the band tried to get in, the bouncers wouldn’t let them, until someone in charge confirmed that they were performing artistes.
    “Imagine! To be 16 and play the Hard Rock Cafe! It’s a musician’s dream!” said Moses.
    But Raimon said, “To us it’s like nothing big. We didn’t go ‘WAAAH! We’re playing Hard Rock Cafe!’ Just like, ‘It’s ok for us to do this now.’ We just follow only.”
    Cikgu Shariff had taken them out of school for one month to go to KL and record the album. He took a lot of criticism for it, with many people complaining that the children’s grades would suffer. Raimon himself was in Form 5, it was a crucial time for him.
    Raimon said, “When I heard that the teachers were complaining about my Abah, I decided to show them they were wrong. After the final exam, I was one of the top students in science stream. Back then, I thought I wanted to be a doctor.”
    “After Form 5, I got invited to go to the Labuan matriculation campus. I wanted to go, but my Abah said I was too small to be going out to Labuan! So I stayed back and took Form 6 science stream. Final exam STPM, I’m the top student in the class.”
    Raimon wanted to go to UMS. He filled in the online form, for all the available options in UMS. So, medicine first, chemical engineering second, all the sciences for almost all the choices. He was almost at the eighth and last choice, then he saw there was Music at UMS! He thought for a moment, then he put Music first and moved all the rest down…
    When he got home, Cikgu Shariff asked him, so what did you fill in? Raimon said he picked doctor and all the sciences, then he added,”I put music also lah, but I put it last…”
    When Raimon was offered a place in UMS to study Music, Cikgu Shariff was still reluctant to let him go away, because he was so little! But UMS is still quite near to Kudat. “He still treats me like a baby,” Raimon said.
    Moses laughed out, remembering how they met. “The first time I saw Raimon was at the UMS audition. He came out of the audition room: So small, with his really long, yellow hair and moustache, and jeans. He really looked like one of those kids at the bus stops, with big yellow hair and a MegaDeath T-shirt. That kind of look, lah!
    “But then, when we had to go for registrations and all that, and I saw this small boy sitting on the chair: clean-cut hair style, boring long-sleeved shirt, with his neck-tie and his bag. I thought he was somebody’s son, like someone went for registration and left his kid there!
    “Then this girl we know, Betsy, recognised him and started talking with him. I was with Teddy (Chin Jr). Betsy called us, wanted to introduce us to him.
    “He said, ‘Saya Raimon, Raimon bin Sukudat dari Kudat!’ And we starting laughing! And he actually called us ‘Bang, like Abang.’ Betsy said he’s from KIDZ. So I had to remember he’s 20 years old. He looks like he’s 15!
    “So of course, Raimon was the school… joke!” Moses continued, “He started teasing me about my colour, where I’m dark you know, and in dark places they can’t see me. I started teasing him about his size and his teeth. So it became me, him and Teddy, lah. Teddy was fat. So it was a good combination: The Dark One, The Short One and The Fat One.”

    Raimon in the RTM Sabah studio. Photo by Joanna Funk

    Raimon works for Kombo RTM Sabah now, and continues to teach the equivalent of KIDZ Junior. The band is called BELALANG [Grasshopper  :D ] The youngest member is 12. “The bassist is my brother. He plays a 6-stringed bass,” Raimon said. The other original KIDZ members work at Kombo Jabatan Penerangan, which is the kombo for the information ministry.
    What does Cikgu Shariff want for his KIDZ?
    “I don’t expect anything. I already have the satisfaction of seeing them leave home and make their own way. Take Matlan (Raimon). He has finished his training, and now he’s working for Kombo RTM, so I feel good because Matlan is giving back something to the community, to the people, and it means I did my job well also. This applies not only to children who went into music, but other ones I taught, who became teachers, policemen, whatever. That is enough for me. It is the way of a teacher to feel like that. Teachers don’t expect anything, they just teach. I am happy seeing the KIDZ excel in their fields, and to be good human beings welcomed and accepted in the community.
    “There is still demand for KIDZ,” he added. “Especially in Indonesia and West Malaysia. But things will not be as intense as when they were younger. Any performances will depend on the band members’ work schedules.
    “Would I like them to continue my work? Yes, I would like that. But what I do takes a lot of sacrifice and dedication. It’s not suitable for everybody, it would have to be up to each individual. They have jobs now.”
    Raimon said his Abah used to always come to visit him a lot in KK, but less so now, because he has a heart condition. Raimon is philosophical about the state of things. “For me, KIDZ is actually my Abah’s heart. He is really in us.”
    Raimon is gentle, dignified, friendly and infinitely talented. He is an example of Grace and Genius born from a simple kampung in Sabah.
    Moses summed it up. “What you see in them [KIDZ] is what you see in their Abah. He is a very down-to-earth person, very humble. He is Sabah’s unsung hero.”

    Cikgu Shariff, Moses and Raimon. Photo by Joanna Funk

    PETER LAU: DRUMMER, DRUM KIT MAKER, MOUNTAIN BIKER, “RECYCLE” ADVOCATE (PUBLISHED IN BANDWIDTH STREET PRESS ISSUE 013)

    I was in RAM Studios in Damai, chatting to a nice guy called Peter Lau, who is based in Labuan. Moses de Silva walked in and said, “Hey Joanna, have you ever seen Peter’s drums? He makes them himself, come and see.” He led me to Roger Wang’s office, where there was the most beautiful miniature drum set, waiting to be played at a gig at Rasa Ria resort.
    I got the chance to talk to Pete more, when we were all in Kudat for the “Tip of Borneo” music festival.
    Pete made his first prototype cajon box about ten years ago, when looking for a gentler way to accompany Roger Wang’s finger style guitar.
    Pete got into fusion drumming through a KL bassist. “He played me a record, and I thought wow! What is that? The drum beat and patterns are totally different from anything I had heard before. The drummers were Billy Cobham and Steve Gadd, and the way they play, it make my hair stand on end. I keep listening and listening. I want to play like that. But in Labuan, the moment I start playing using those skills, people look at me like I am an alien.”
    “So, the first time me and Roger jammed together, there was a spark, as if we were playing together for many, many years!” said Pete. Roger had not found a suitable drummer for his music in KK, and Pete was a lone fusion drummer in Labuan. Bingo.
    “Roger called me and said ‘Pete, I’m going to start a project, it’s called Journey Home. But before you say yes, I need to let you know, you must use a brush, and just play a snare drum.’
    “I said, ‘Eh Roger, you know I’m a busy kind of drummer. Suddenly you just want me to play something so simple?’
    “Roger told me to listen to Tommy Emmanuel or Martin Taylor, and to listen to the drummer. So I listen: true it’s just a snare drum with a brush, a swing pattern. 1-2-3-4, 1-2-3-4. It’s a challenge for me. Roger said, ‘Less is More, Pete. You have to apply that now.’
    “I said, ‘Roger. Less is less! What do you mean, less is more, man? I don’t agree with that!’ But never mind, I take up the challenge.
    “We start to do road shows for Journey Home. That’s Roger, Walter Samunting and me. The normal jazz drum kit is loud, and overpowers Roger’s guitar. I have to play controlled. I don’t enjoy it. Roger said, ‘You got to do something about the drum, it’s too loud.’
    “Then Roger introduced me to the cajon. I think it cost about RM650. I said, ‘I’m not going to buy it. I’m going to make it’. I look for one of my friends, his nickname is Tai Khiong. He’s a carpenter from KL and owns a workshop in Labuan.
    “‘Eh, Tai Khiong’, I said. ‘I want to make a drum.’ He said, ‘Come to the workshop. I have a lot of leftover wood.’ I went there and picked up things from the floor. He has all the tools there and within about half an hour, the whole cajon is complete. I start to play it, but I find the cajon position is no good for the back. You have to playleaning over. If you’re going to stay there for one hour, you can’t even sit up again, isn’t it!
    “So I thought, I am going to modify my own cajon. I make a pedal, and a drum head from thin ply wood. I play it with a brush and this way I can sit up straight.
    I brought this one to KL, No Black Tie. After that, as the music is getting more complicated, this cajon sound is too soft. I needed to improve the drum. I have another friend Kenneth Loh, he’s my childhood football friend. He owns a missionary shop, and works with oil projects, so he has left over pipes. So I use his pipes to hold a hi-hat. I can’t do welding, but he can do that. Everything is FOC, it’s recycling. We go to the carpenter workshop, pick the wood, combine together and make a drum set. I bring the mini drums up to KL.
    The best part is, I put it on the stage, people look at it and they say, ‘What is that?’ And they start laughing! It doesn’t look like a drum set, but I don’t care! As long as it makes good sounds. This kind of drum set is really good for making acoustic music: unplugged, low volume kind of gigs.
    As we talked I realised Pete had made a huge transition: from very individualistic power drummer to supportive team player, in order to grow musically, and to be harmony with his faith and his environment.
    “My father was a saxophonist and had a band. So when I was very young, he used to bring me around to the clubs, and I would watch the band play. Our house is full of instruments, almost every week the musicians would come over and, there was music all night long I would say, lah. My father would play all those dance records, like mambo, cha cha, rumba, because the band played for ballroom dancing. Every time I follow him to the club, and I would look at those uncles and aunties, playing and dancing, and of course I would be looking at my uncle because he’s playing the drums, and the sounds attracted me.”
    By 14, Peter was drumming at night at the Victoria club in Labuan, careful not to let anyone at school know, because he didn’t want to get pulled into the school band.
    ‘The first real drum set I had was when I passed my Form 3.  My father said: ‘I’m going to buy a drum set for you, since you passed your exams.’ This was like fortune broke through from the heavens! I was very happy.  I still keep that drumset. I’m now 48.  That drum set is coming to 30 years old. I still have it because it has sentimental value.”
    By the time he was an adult, Peter was a full-on, power-house drummer.
    “Every day I was playing the drums, I saved money and slowly started upgrading. This is what drummers do; you want to upgrade, keep on changing. So my drum set become bigger and bigger. Until one day, only I can go in my so-called drum room, because it’s completely full with drums.
    “My drum set was 360 degrees. When you are young, you think like:  ‘Hey man, the more instruments I can hit, the better’. That kind of thing.  So there’s no space for other band members to play. Every space [in the music] I’ll just fill in. So, I’m always the star in the band. This is no good. In those times, we don’t really mention about teamwork. It was like: I want people to look at me.  Ego kind of things. I need to mention this, it is important. A lot of young musicians have yet to go through this. If they are aware, maybe they don’t have to pass through it like me. 
    So, every time I come down from the stage, people will praise me. ‘Hey Pete, your drum is fantastic”. But they never praise my brother, they never praise my guitarist. How do they feel?  At that time, I didn’t know about that. I think, ‘Wow, I’m a super star.’ Actually, unknowingly I’m hurting them. It’s no good, there’s no team spirit.
    Then came the Era of the Technics Home Organ. “Every club is using organ, with one singer. I think all the musicians had this problem. Guitarists, drummers, bassists, they all had to go and play organ, to earn some cash. I even play organ for a few months. But then I thought, No. I still want to continue with fusion drums, even though no band to play with. I practise for six hours every day, and I really go into technicals. This is discipline. I have two phrases which have been with me for many years. Good attitude and good discipline. If you want to be good drummer or become a good musician you must have these things. Discipline means practice. Attitude means accept criticism and do self-criticism too. I record my own playing, and I do self-analysis: ‘this part is too busy, this part is not good’.
    Pete and a few like-minded fusion musicians formed a business. They believed they could take this music to the public, raise awareness and make money. But reality was very different. The buying public did not want jazz at their weddings or functions, they wanted pop.
    “There were so many problems. Water bills, electric bills, problems with staff. I had depression and insomnia. I lie awake, hearing the clock ticking. Sometimes, when I play drums, I go BLANK like a robot on autopilot. I feel like throwing the drum set away and walking off. After six years, we closed our club on New Year’s Eve. Everywhere people are happy, but we are sad. The moment the clock struck 12, that was the end of the business.
    “That’s when I hated drums. Music was like torture. When the club closed down, I stopped playing. I moved into sports, heavily into mountain biking. I go really extreme: stunt jumping and jungle trekking. [I have a big team now.] For a few years, I didn’t enter my drum room at all.
    “My father’s friend [now passed away] was a music teacher in Chinese school. One day he said, ‘Peter. What’s wrong with you? You are musician. You are a drummer. Why you give up the drums and you go into this stupid sport?’
    “At that time I thought: what this bloody old man want me to do? I said, ‘Don’t talk drums and music to me! I give up already. This bicycle thing is my new life.’ But inside here (presses his heart) I still want to play drums. But I don’t want to admit it, because I got phobia already.
    “He said, ‘Pete. You must come back to drums. I know you love drums, and you just want to escape. You want to take this bicycle thing to escape. But in your blood, in every fibre of your body, you are a drummer.’
    “I was all empty inside. I needed to find myself again. So I start to look at religions. I got to say this because it’s very important to me. It changed my music. It doesn’t mean I want to promote my religion. So one day I find out this Soka Gakai Malaysia, because Herbie Hancock is a member. It made me curious. We chant this: Nam-Myo-Ho-Renge-Kyo. It is the sound of the universe. When we chant, it’s as if a spark comes out, and I see a way to lead me back to my music. It’s difficult to describe because it’s all here (presses his heart).
    “After a while, more gigs come again. I meet Roger because my brother brought him to the club. Then Roger calls me, and says he is going to start a project called JOURNEY HOME, and can I help him with the drums? Journey Home – everybody come back, you know? For me too.
    “People ask me how I get the idea to make a drum. It’s through my prayer. I chant, and I can see it. I can see 360 degree what it will look like, and I know the sound, before I have made the drum yet.”
    Pete looks at me. “Can you believe that?” he asks me. Well, what’s not to believe, I said. He has done it several times over. Here are some more of his beautiful drums.
    Every drum set must meet these criteria:
    • It must be compact
    • It must be light
    • It must take ONE trip to move, either from home to the car or from the car to the venue. [I am guessing drummers will appreciate the usefulness of that.]
    “I could buy new materials for my drums, but I love to recycle,” Pete said. “One day I was jogging, suddenly I stop. In the drain I see this piece of rusty, flat steel bar. Who wants to pick it up, it’s rubbish, right? But I take it home and wash it, and I know I will use it.
    Our surroundings has a lot of wonderful things for us to use. The only thing is, we don’t know how to discover them.
    This is the challenge I give myself: to try and make full use of all the things which are around me.” Peter Lau. Drummer.